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Audra Bryant
Choreographer | Director

Audra Bryant is a NYC based choreographer, director, dancer, and educator.

Originally from Kansas, Audra trained in classical ballet, classical voice, and jazz dance prior to pursuing a bachelor of fine arts in Musical Theatre from the University of Oklahoma. Her dance style blends the history of her training with her storytelling abilities developed as an actor at the collegiate and professional level. After moving to NYC her style evolved to include influences from the contemporary and commercial world as she began to train and work with a broader range of dancers.

As a choreographer, Audra has exceptional abilities to visualize how the movement of actors/artists, dancers, and technical elements come together to enhance a story. Her innate connection to human emotion and to primal qualities at the root of human nature make Audra extremely talented in translating complex emotional states to movement of the body. This allows her to design movement that is emergent, pedestrian and sometimes “in-human”reaching audiences in a visceral way. Ultimately she uses the body as a tool to show personal yet often common mental, emotional, and physical experiences.

As a director, Audra is drawn to stories that highlight the complexity of the human ego and how our ego influences feelings and relationships. She understands characters on a deeply personal level which allows for a clear point of view in her projects. Her passion to think about details, and to conceptualize how details can be implemented, enable her to creatively visualize a project from start to finish. This in turn fulfills a director’s primary goal of maintaining and communicating the overall message and theme of a story.

As an educator Audra has a decade of experience in teaching dance, acting, and voice that contribute to the compassionate creator she is today. She has a passion for people and understanding their personal relationship to movement and storytelling. She enjoys providing space for dancers and actors alike to express themselves through their bodies and their voices.

Audra cares as deeply for the quality of the product as she does the experience getting there. Working mutually is essential to any project, and she strives to allow space for collaborators to perform at their highest level.

Today, Audra serves as the Director of Dance and as Resident Choreographer for BroadwayMethod Academy (a musical theatre training non-profit organization located in Fairfield,Connecticut). She continues to collaborate with artists in NYC, and to take on various projects for stage and screen as a choreographer and director.

Throughout “Sweeney Todd”, Bryant’s direction complements Sondheim’s musical vision, Wheeler’s writing, the fable’s penny dreadful inspiration...the story’s dark, authentic flourishes, the macabre undercurrents and the stench, filth and decay of the musical’s Fleet Street setting. - James V. Rucco
Bryant sets “Sweeney Todd” loose - so to speak - with arresting details, visuals, choices, themes and ideas that bring necessary edge and urgency to the proceedings, matched by noticeable precision and punch that makes the narrative swirl, twist, turn and energize with inhabiting thrust, pathos, imagination and opportunity. - James V. Rucco
She surprises. She excites. She delights. She pushes boundaries to the max. She takes chances. She leaves you awestruck by her innate dance capabilities. And never once, does she repeat herself. - James V. Rucco
Choreography for “The Little Mermaid” is the brainchild of Audra Bryant, a crafty dance auteur who opts for simplistic beauty and lyricism whenever the musical happily glides into dance. - James V. Rucco
Audra Bryant choreographed the wonderful production numbers with challenging moves that were beautifully performed. - Nancy Sasso Janis

Projects

Choreography Reel
No One Likes A Mad Woman - Maid & Prince Productions
Sweeney Todd - Broadway Method Academy
American Idiot - Broadway Method Academy
Cabaret - Broadway Method Academy
"Hooking Up" - Nick Deutsch
"Hollow" - Rachel King
"Dollhouse" - Rachel King
"Safer Wild" - Rachel King
"One Time"
"Mercy"
"Social Movement"
"Jokes on You"
"Can You Blame Me?"
"Vienna" Feat. Students of BMA
"Found Tonight"
"Speakeasy" from Legs Diamond
The Addams Family - BMA
Annie - Westport Country Playhouse/BMA
The Little Mermaid - Westport Country Playhouse/BMA
The enlistment of Audra Bryant as choreographer for “Annie” is a stroke of genius. She is not only agreeably fluent in the mechanics of musical staging, but she has devised a series of brilliant, innovative choreographic moves, beats, styles, rhythms and synchronizations that extend far beyond that of the original 1977 Broadway production. - James V. Rucco
Audra was a perfect choice because not only is she beautiful and graceful but she brought a strength and physicality to the piece which reflects the type of woman I'm writing and singing about in the song,” says Sudano. - Christian John Wikane, popmatters
Tyler Milliron, director of the music video [“Hooking Up”] for this track, captures Nick’s gentle melodies with bold visuals highlighted by the contemporary dance choreography of Audra Bryant - Scoftware
When necessary, the dances reflective in certain musical numbers are extended to not only showcase the talents of certain principals, [and] ensemble members...but to provide additional shading, scope and dimension. - James V. Rucco
All of the choreography is inspired and diverse with touches of avant-garde emotion and ersatz panorama that bring sass and kitsch to the story along with an inherent wistfulness, brightness and balance. - James V. Rucco

Credits
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THEATRE

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Sweeney Todd || Black Rock Theatre|| Director/Choreographer

SpongeBob SquarePants || Music Theater of Wichita/Music Theater for Young People || Director/Choreographer
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Matilda || Black Rock Theater and Broadway Workshop || Director/Choreographer

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The Little Mermaid || Dir. Bret Shuford || Westport Country Playhouse, Broadway Method Academy || Choreographer
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Annie || Dir. Connor Deane || Westport Country Playhouse, Broadway Method Academy || Choreographer
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Anything Goes|| Dir. Cady Huffman || Black Rock Theater and Broadway Workshop || Choreographer

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Mary Poppins || Dir. Joe Deer || Lyric Theatre of Oklahoma || Associate Choreographer

Cabaret || Black Rock Theater/Cincinnati Conservatory of Music || Director/Choreographer

American Idiot || Broadway Method Academy || Director/Choreographer

Into The Woods || Broadway Method Academy || Director

Xanadu || Dir. Eric Santagata || Broadway Method Academy || Choreographer/Associate Director

The Addams Family || Dir. Connor Deane || Broadway Method Academy || Choreographer

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MUSIC VIDEO

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Lenii “Human” || Choreographer/Dancer
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Michael Perrie Jr. “Won’t Be Back Again” || Movement Coach/Choreographer

‍Nick Deutsch “Hooking Up” || Movement Coach/Choreographer/Dancer
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Rachel King “Hollow” || Choreographer
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Rachel King “Safer Wild” || Choreographer
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Rachel King “Dollhouse” || Choreographer

SHORT FILM

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Only the Dead || Maid & Prince Productions || Director


shelf life || Brooke Hayman & Sam Kammerman || Co-Director
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No One Likes a Mad Woman || Maid & Prince Productions || Assistant Director

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Joke’s On You || Maid & Prince Productions || Movement Coach

Found Tonight || Choreographer

Social Movement || Concept/Movement Coach

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SPECIAL EVENTS

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The Sondheim Awards || Broadway Method Academy/Shubert Theatre || Annual Director/Choregrapher

NY Jazz Choreography Project || Jazz Choreography Enterprises, Inc. || Choreographer

Arts for Altz || Think Tank || Choreographer

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